The main edit screen ( Figure 2, below) has what you would expect: a preview monitor for your source and a timeline viewer in the middle.

On the right hand part of the screen there's a toolbox, which includes video and audio transitions and effects. The bottom right will come into play when we play back the timelines. If you scrub your cursor over the clip it’ll show you a preview of those few frames that it's highlighting at the very top of the screen.ĭown at the bottom left of the pre-edit () screen, you’ll see some audio meters. There are two views at the top and you can choose between them, whether it’s just a thumbnail view or the detail view, where you can see the metadata, but also get a great preview of the clip from start to finish. But it gives me a preview of the clip at the top.

On the screen shown in Figure 1, I have my bin.

You can see in Figure 1 that DaVinci gives you the metadata you would expect to see: frame rate, size, number of audio channels, and so on. I’ve got my project files already set up. Browse files and add them to your bin on this secondary screen from DaVinci. I've got audio clips and some still in here that I've used for this project.įigure 1. Then you can pull them into here, which is your bin. On the secondary screen shown in Figure 1 (below), you can browse your files, browse your hard drive, wherever you're looking for your clips. You can think of the first page as your pre-edit or ingest stage. Let's dive into Resolve and explore the five pages that comprise their UI. The idea, then was to take a project I could easily execute in every application the same way and see how easy it was to do one over the other. I started the sample project you’ll see in the video and screenshots in this article by doing a very basic edit in Premiere Pro-some straight cuts, a couple of effects, a little grading, and some audio work. I wanted to see if, by confining my work to a single editor, I was missing some great features that could improve my workflow. In my case, I’m coming from the perspective of a longtime Premiere Pro user. This article will be the first in a series on what it’s like to work with different NLEs when you've been using the same one for a long time. In this article and video we’ll take a look at Blackmagic Design's DaVinci Resolve 14, which is currently available in beta.

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